사용자:Ehsdnjfl1979/작업장: 두 판 사이의 차이
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== 코엔 형제 ==
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==== Dialogue ====
Oscar winners for Best Original Screenplay (Fargo) and Best Adapted Screenplay (No Country For Old Men), the Coen brothers are known for the dialogue in their films. Sometimes laconic (The Man Who Wasn't There; Fargo; No Country for Old Men), sometimes unusually loquacious (The Big Lebowski, The Hudsucker Proxy), their scripts typically feature a combination of dry wit, exaggerated language, and glaring irony. Another effect they employ is having a character repeat lines multiple times (The Big Lebowski, The Hudsucker Proxy, O Brother Where Art Thou, Ladykillers, Burn After Reading, A Serious Man). In addition to Fargo and No Country For Old Men, two other scripts have been nominated for Oscars (O Brother Where Art Thou for Adapted Screenplay and A Serious Man for Original Screenplay).
오스카의 베스트 오리지날 스크린플레이 부문(파고)과 베스트 adapted 스크린 플레이 부문(노인)의 수상이 입증하는 바와 같이 코엔 형제는 그들의 영화 속 대화로 유명하다. 가끔은 laconic하게(남자, 파고, 노인), 가끔은 unusually loquacious 하게(레보스키, 프록시), 그들의 대본은 blahblah
==== Depictions of America====
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==== Money====
Money is involved in most of Coens' films. In Fargo, money (or more correctly, the lack thereof) starts the events of the film, and is the motivation for many of the characters. The Big Lebowski centers itself around the collection of a debt in which "The Dude" Lebowski is mistaken for the wealthy, and older "Big" Lebowski. No Country for Old Men portrays the events surrounding a suitcase full of money. One of the main character's motivations is the need for money to pay for cosmetic surgery in Burn After Reading. Most recently, the confusion and moral conflict surrounding a suspected bribe drive portions of the plot in A Serious Man.
돈 문제는 코엔 형제의 많은 영화에서 나타난다. 파고에서 돈은(좀 더 확실히 하자면 돈의 결여) 사건의 시발점이자 등장인물들의 동기부여로써 작용한다. ~~
==== Violence====
Most of the Coen brothers' films have violent moments. In The Hudsucker Proxy, the plot is unleashed by the suicide of Waring Hudsucker, and in The Ladykillers several characters die in an attempt to dispose of an old woman. In some of their more graphic films, e.g., Fargo, most of the main characters die or are assaulted, all of which is portrayed onscreen; in one particularly graphic scene in Fargo, a character's body is fed into a wood chipper. In their quirky 2008 film, Burn After Reading, there is some comic violence in the film but some more grim violence includes Brad Pitt's character getting shot in the face and another is hacked to death with a hatchet. The theme of unstoppable evil frequently recurs in their work. One notable example is Anton Chigurh of No Country for Old Men.
대부분의 코엔 형제의 영화들은 폭력적인 순간들을 그려내고 있다.
The majority of the violence in their films falls under the category of dark humor. A notable departure is in No Country for Old Men, in which most of the violence is portrayed with stark, grim overtones and minimal dark comedic effect in order to effectively and faithfully depict Cormac McCarthy's bleakly told original story.
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